The Last Englishmen – Reviews

Minneapolis Star Tribune

“Incisive and illuminating. … This is a thoroughly researched, relentlessly engrossing epic tale. Baker is adept in all areas — on the slopes of Everest or within corridors of power, among Calcutta’s intellectuals or London’s art crowd. She writes with verve and authority on colonial tension, cultural achievement and global conflict. … Baker’s study of national endeavor and personal struggle throws a valuable light on past upheavals and ideals. There is much to admire and a lot to learn.”

Malcolm Forbes

Wall Street Journal  PDF

In her ambitious new book, ‘The Last Englishmen: Love, War, and the End of Empire,’ she brings to bear this art of juxtaposition upon a much-told story, the last two decades of the British Empire in India, to create something wholly original … It is to Ms. Baker’s credit that she keeps the big events always in view, dramatizing and humanizing the workings of history, particularly the story of empire and its machinations, in a way a novelist would — by making it a story of individuals. She understands everything about these people, the details of their lives, the connections and the criss-crossings, intersections, overlaps, friends-of-lovers-of-friends. It wouldn’t be an exaggeration to say that there is something Tolstoyan to her vast project.”

Neel Mukherjee

San Francisco Chronicle

Baker’s narrative is eventful and diffuse … One moment we’re high in the Himalayas, the next we’re in an intellectuals’ conclave in Calcutta — and then we’re off to a London theater, a Manhattan hotel and a Brussels airbase. … Baker writes beautifully, and she’s done ample research. Drawing on a host of private and public archives, she crafts memorable portraits of dynamic, flawed men and women.

Kevin Canfield

The Spectator

“The Unknown Auden: the Poet’s Dashing Older Brother”

“In The Last Englishmen, Deborah Baker has written an exuberant, scene-changing, shapeshifting group biography … ”

Richard Davenport-Hines

The OldiePDF

“Baker tells her story as if it were fiction, generally paraphrasing rather than directly quoting letters, diaries, and other documents. Purists may object to this, but every incident and description of minutia, and every thought or feeling, is meticulously sourced.  The result is a book with a narrative sweep of an epic novel.”

Peter Parker

The Economist

“A rich account of the end of the Empire, told through the lives of the small fry”

“A refreshingly novel account … Ms. Baker draws from a rich stock of unpublished memoirs, journals, police reports and other documents, deploying fresh material with a light touch … As narrative history this is skillful work, showing ordinary individuals as they cope — or buckle — while great geopolitical events twist and shape their lives.”

The Literary Review  PDF

“But what really distinguishes this book is its brilliant characterizations and its structural agility. It reads like fiction … Non-fiction ought always to be this engaging. Baker is not herself a novelist. Her husband, Amitav Ghosh, however, is, and so she must know how fine is the line between biographical fact and historical fiction. The Last Englishmen straddles it to dazzling effect.”

John Keay

Indian Reviews

India Today

Rue Brittannia  PDF

“Pulitzer-nominated biographer Deborah Baker’s new book, The Last Englishmen: Love, War and the End of Empire, is a work of history and imagination, a crowded portrait of the last couple of decades of British rule in India. ”

Shougat Dasgupta


Capturing the Human Face of the British Raj   PDF

Employed in the service of the empire, [the “last Englishmen” of Deborah Baker’s new book] find themselves entangled in a web of friendships, rivalries, accidents and adventures. But from the interstices of their lives, shot through with hard facts and the gossamer thread of Baker’s vivid imagination, emerges a tale of alienation and existential dilemma. As with her earlier books, Baker puts a human face to history. She makes familiar events, such as the Great Calcutta Killings of 1946, come alive in all their heartbreaking details. With her close attention to archival records and gift of reading between the lines, Baker has forged a form that’s very much her own.

Complex, multilayered, rendered with novelistic flair, her books illuminate her skills as historian, biographer and essayist.

Somak Ghoshal

Advance Reviews

“An immersive book about a cast of characters who stood at the edge of history, written by a clever excavator, elegant wordsmith, and structural craftsman who is adept across cultures. Through their lives and loves, Baker illuminates the world on the cusp of war, chaos, and vast social change. Baker’s novelistic pages have an ease and elegance that make them a pleasure to read. The prodigious volume of her research is evident, but the text wears it lightly.”

Grant Jury, Whiting Foundation

“Deborah Baker combines a novelistic alertness to the inner life with an anthropologist’s understanding of multiple cultures and a historian’s eye for major events. The result, yet again, is a continuously absorbing and stimulating book, which enlarges the cultural and political history of the mid-20th century even as it grippingly relates the adventures of a few men and women.”

Pankaj Mishra

“Love, war, politics, psychoanalysis, poetry, Calcutta and, especially, the Himalayas — Deborah Baker’s meticulously researched account of India and Britain in the forties reads like the very best of novels.”

Siddhartha Deb

“[The Last Englishmen is Baker’s] most creatively conceived, deeply delving, and wizardly blend of biography and history to date … With a uniquely encompassing vision, command of complex information, and profound insight, Baker dramatically chronicles the seminal scientific and artistic explorations of four courageous, ingenious brothers whose achievements enrich our understanding of the still-molten, sharply relevant past.”

Booklist (starred)

“An elegant and complex narrative of India and the British Empire … Baker skillfully navigates numerous interlaced tales, illuminating in a lively and stylistic fashion both the inner lives of intriguing individuals and weightier geopolitical developments.”

Publisher’s Weekly